Tag Archives: Sonic Youth

From the Basement TV: Radiohead, et al.

In addition to Black Cab Sessions, Take-Away Shows, and Handheld Shows, there’s a new kid in town trading in a little bit of those projects’ charms for more polish.

From the Basement filmed some of your favorite bands in a studio with no introduction and no audience. The clean-looking video can be seen in clip-form on the site or at the YouTube channel, and some of the full-song performances can be purchase on iTunes (just search From the Basement in the iTunes store). Some people, of course, have put some of the full videos (particularly the Radiohead) up on YouTube.

Radiohead recorded ten songs with From the Basement TV, including songs from In Rainbows. Songs include: Bodysnatchers, House of Cards, Nude, Weird Fishes/Arpeggi, 15 Step, Reckoner, Go Slowly, Videotape, Bangers ‘n’ Mash, and All I Need.

According to the band, “Captured in a day, with direction by David Barnard and sound by [Radiohead’s buddy] Nigel Godrich, the videos represent the best recorded representation of Radiohead’s live performance to date.” And if Radiohead makes that sort of sweeping statement, it must be stinkin’ great.

Other performers so far are: Thom Yorke, Albert Hammond Jr., Envelopes, The White Stripes, The Shins, Neil Hannon, Beck, Jarvis Cocker, Jamie Lidell, Sonic Youth, José Gonzaléz, Laura Marling, PJ Harvey, Super Furry Animals, Free Blood, Operator Please, Damien Rice, The Eels, Autolux, and Architecture in Helsinki.

Bonus, unrelated link: Download mp3s of Radiohead’s April Fools’ Day Show courtesy of Alan at Sixeyes (who appreciates if you leave comments and click on ads in return for his generosity).

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Kurt Cobain: About A Son

I’ve been geeking out on the soundtrack for Kurt Cobain: About a Son. I can’t speak to the way the songs articulate with the film, because I haven’t seen it, but I have gotten a lot of enjoyment from listening to and thinking about the artists that influenced KC.

Buy the About a Son CD or DVD for reasonable prices. The trailer for the documentary pulls from 25 hours of interview tape done for Michael Azerrad‘s biography Come As You Are: The Story of Nirvana. (His other book, Our Band Could Be Your Life: Scenes from the American Indie Underground 1981-1991, follows Black Flag, Hüsker Dü, Sonic Youth, Dinosaur Jr, The Minutemen, Sonic Youth, Beat Happening, The Replacements, Butthole Surfers, Big Black, Fugazi, and Mudhoney.)

Azerrad wrote the liner notes to the soundtrack, which contains no Nirvana songs but instead other artists’: “stuff he studied and worshiped and adored … So if watching About a Son is like seeing the world through Kurt’s eyes, then listening to this music is like hearing it through his ears.” I think fans will appreciate the amount of respect this choice shows for them and their ability to do the mental labor of analyzing influences and processing the clips of KC speaking that are sprinkled among the songs.

In particular, I like the inclusion of the Creedence Clearwater Revival cut Up Around the Bend because KC’s first band was a CCR cover band. CCR was logical, in retrospect, according to Azzerad, because it’s “basic, chunky guitar music, easy to play and yet boundlessly resonant, full of simple, catchy melodies and a singer with a voice that sounded like a tuned scream.” Nicely put. And when the CCR is juxtaposed against Put Some Sugar On It by Half Japanese (download), the Nirvana sound emerges around the margins.

Two songs that Nirvana covered are included: the original David Bowie version of The Man Who Sold the World (download) and Son of a Gun by The Vaselines. If you’re interested, Matt Yglesias talks about Nirvana covers of Vaselines songs here.

Of course Mudhoney (download Touch Me I’m Sick) and Lead Belly (The Bourgeois Blues) are on there. But I was unpleasantly surprised to note the absence of The Pixies and The Breeders, who influenced KC mightily. The Pixies’ lyrical ambiguity (for a discussion of that, see the 33 1/3 book for Doolittle) is what lets Nirvana go national; it made the angst malleable to any set of personal circumstances, to anyone who thought that the world and/or themselves were SNAFU central.

My only other complaint is the incongruous cut by Ben Gibbard of Death Cab for Cutie and The Postal Service; his unmistakable voice concludes the CD with the song Indian Summer, and it sort of leaves me lost. I would have liked to see something more assertive or definitive as a closer. He helped compile the songs on the CD, so this track sort of feels like when a first-time film director gives him or herself a cameo.

But, regardless, the thing is worth buying. And in case you aren’t convinced yet, check the list of artists on the soundtrack I didn’t even talk about: R.E.M., The Melvins, Bad Brains, Butthole Surfers, Scratch Acid, Arlo Guthrie, and Iggy Pop. Whew!

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