Tag Archives: Bob Marley

Trampled Under Foot (TUF)

Kansas City blues band Trampled Under Foot gave a stellar CD release concert at Uncle Bo’s last Friday night in Topeka, Kansas.

Their latest release, May I Be Excused, is available for purchase here. My copy is still on its way, but judging from the evolution of their live shows (and because of the rough recording quality of some of their older work), this must-have 12-song disc will certainly be their best, showcasing their songwriting skills and commanding vocals. They won the 2008 International Blues Challenge in Memphis (in a field of 90 bands), and just in case you think these kids are fooling around, also note well that “big brother Nick” won the Albert King Award for Most Promising Guitarist at the IBC.

These incredibly talented siblings–vocalist and bassist Danielle, guitarist Nick, and drummer Kris Schnebelen–are part and parcel of the larger family of regional blues musicians. This is Kansas City, after all, and it ain’t known for its techno. So singeth Muddy Waters (listen here to Kansas City Blues).

Their mom and dad were musicians in KC-local Little Eva and the Works. Nick worked with the bands K-Floor (a.k.a. Killin’ Floor) and Buddahead on the east coast before returning to team up with the fam. Danielle came up in the KC scene via Fresh Brew Band, The Nortons (watch her here), and regular Friday gigs at the Grand Emporium as Danielle Schnebelen and the Rush Hour Rendezvous. She recently married Brandon Hudspeth, the front man for local blues group Levee Town.

This post updates (and eclipses) Stella Splice’s February review.

The Trampled Under Foot performance on June 27, 2008, was in the basement of the downtown Ramada. If you can rock the Ramada in northeast Kansas, you can rock any place imaginable.

I’ve also seen the band at other, bigger venues: B.B.’s Lawnside BBQ, which is a must-go club for all those passing through, no matter the act, and also The Jazzhaus. These three shows, over the course of time, were like core samples of TUF’s evolution from great to call-everyone-you-know killer great.

I’m going to act like I’ve seen the hard-touring TUF crew a bunch of times and sketch a “typical” show.

They open with an instrumental, tuning you in to their groove. Then maybe Nick steps up to the mic, tearing into the most danceable sort of blues number with a voice that sounds chock-full with decades of whiskey, cigarettes, and no-good women. His smile is the biggest I’ve ever seen this side of a Crest commercial, but it’s twisted with a love for the bended blue notes he shakes out of his left-handed guitar (she’s a lefty, too). We hear the first round of Nick’s solos, and even the most recalcitrant concert-goer wants to hop up and see if they’ve got any boogie-woogie left in ’em.

The third song: it’s Danielle’s turn to sing. You could have listened to a Nick-fronted band all night, and been ecstatic for the chance. But once the force of nature that is her voice emanates from that woman’s soul, you just want more “D,” the little sister on bass. I recommend listening to the title track May I Be Excused on their MySpace. The butter-smooth song showcases Danielle, and even though it comes in just shy of seven minutes, she still makes you wanna beg for more. Don’t think for a minute that that song captures her energy on stage, though. In fact, my one and only criticism of her is she gets so into the vocals she sometimes twists her head away from the mic, and I don’t want to miss even those split seconds.

The rest of the show will go back and forth with Nick and Danielle trading songs. The real gems are when they (plus Kris, who is underused for this function) chime in on each others’ choruses, for that familial harmony that rings so true.

For the last song of the first set, D will leave the stage while Nick solos his ass off, guitar behind the head, taking you through a technical and emotional tour of blues history. Then Nick will leave Kris alone on stage for the sort of drum solo that makes you regret your current occupation–“Why didn’t I choose percussion in grade school?!?” Eventually, after waves of tom riffs and powerfully silent two-beats that make you yell out in hearty agreement, Kris drops back into keeping time and the others join him to finish off the song and the set. But not to worry, there’s so much more to come.

To kick off round two, Nick sets up at the trap set. He plays guitar and two-foots the bass and the top hat perfectly. It’s not a novelty; it’s just a great song that he plays himself. And it’s gotten much, much better over time.

The rest of the show may include Nick on the Dobro, a round of solos by each band member during the bridge of a couple of songs, a jam with a fellow musician (last night on the Hammond B3 organ), and a whirlwind of covers. Over the course of three shows, I heard Aretha Franklin’s Chain of Fools, which turned people into crazed fools on the dance floor, Gladys Knight & the Pips’ Midnight Train to Georgia, Howlin’ Wolf’s Killing Floor and his Howlin’ for My Darlin’ (which Nick rocks with absolute authority, as if he penned it himself), the Janis Joplin version of Summertime, I Shot the Sheriff by Bob Marley and The Wailers, and Danielle workin’ it out on Etta James’ At Last. (D says Etta is her biggest influence.)

The most crowd-pleasing of their older original music is Honey Bee and Virginia Creeper, both streaming on TUF’s MySpace.

At the end of a third set, the band tried to get off the stage and no one wanted to let them. Brilliantly, Danielle satisfied the crowd and sent us off to bed with a sweet a cappella cover of Janis Joplin’s Mercedes Benz with big brothers on harmony. Very nice.


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Gene Wooten

A recent restorative roadrip, which took me through the Bible Belt, rekindled my faith in the medium of radio. Toggling back and forth between radio and CDs, one must have been a very good boy or girl to tune in a classic R&B station or perhaps a classic rock channel in a singer-songwriter mood. But lucky me, I had the good fortune to catch a couple of great community radio shows.

One was on St. Louis’ KDHX hosted by a blues aficionado who wove great stories into his set (stream here). That night he spun records that probably only exist in his collection, and it was special to get to listen to those blues artists from the 1930s.

The other was Vanderbilt’s student radio station, WRVU, which provided a bluegrass soundtrack for a goodly stretch of interstate. The show’s guest host was focusing on covers. He played down-home versions of People Get Ready / One Love (original Bob Marley And The Wailers), Sailin’ Shoes (original Little Feat), and Day Tripper (original The Beatles). Day Tripper was covered by Gene Wooten on the dobro.

Wooten won a grammy for The Great Dobro Sessions, on which you can hear this particular cover. Listen to a clip here, but if it doesn’t work in Firefox, don’t download a plug-in, just use Explorer instead … or you could just buy it. This song re-enchanted radio listening for me for a time, and that’s worth a listen.

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Trampled Under Foot

Trampled Under Foot, the excellent Kansas City blues band consisting of two brothers and a sister, recently won the International Blues Challenge in Memphis. It appears, from the buzz, they might get a lot more well deserved exposure this year.

Check TUF’s killer vocals and ever-impressive musicianship at their MySpace (particularly my mom’s favorite track, the soulful Honey Bee) or you can also stream a bunch of great blues tunes on their website.

They have a new release, The Philadelphia Sessions, that I have yet to buy. Since they’re constantly improving (to the point of ridiculous goodness), I believe it will be a better disc than their others.

The point of TUF, though, is to enjoy them live. They have a great sense of how to put together a set, and the covers they sprinkle throughout (Etta James’ At Last original courtesy of Motel de Moka, Bob Marley and The Wailers’ I Shot the Sheriff original courtesy of Aquarium Drunkard) the show, as well as the extended solos, really get a crowd going. The female vocalist/bassist Danielle Schnebelen is magnetic! The few YouTube clips available do not do them justice at all, but if you’re curious, see here, here, here, and here.

They’re hard working local musicians with no “tour” to speak of; they do constantly play a variety of shows in the greater KC area and the midwest generally. I recommend seeing them (and practically any other show) at Kansas City’s BB’s Lawnside Bar B.Q. They’ll be rocking the indoor picnic tables February 15, March 15, and May 30.

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Filed under Covers, New, Shows