May 4, 2008

The Black Keys

I was recently convicted by a friend for my “apparently unceasing love for The Black Keys.” Roger that. Makes me smile every time to think how much a compliment I consider her straightforward statement of fact to be.

Stereogum points out that the duo cut and put out a cover of the Captain Beefheart and The Magic Band (geek on frontman Don Van Vliet here) song I’m Glad.

The mp3 is downloadable on their MySpace (or at Stereogum) until Friday.

I hesitate to be so crude, but this is the sort of song you put on and ignore for a couple of minutes, only to find it has surreptitiously grabbed you by the balls and you realize you may have been holding your breath.

In other good news, if you live in the Cleveland, there’s a surprise first-come-fist-served Black Keys show on Wednesday. Check the info here.

April 30, 2008

Death Cab for Cutie

The new Death Cab for Cutie album Narrow Stairs doesn’t come out until May 13 (tour schedule). You can watch the (fairly uninspiring) video for the album’s first single I Will Posses Your Heart.

But the real news is the Death Cab Daytrotter Session that features downloadable or streamable mp3s of both old and new songs. Set list, including the quite good Cath:

1) A Movie Script Ending from The Photo Album
2) Cath from the forthcoming Narrow Stairs [recommended]
3) Styrofoam Plates from The Photo Album
4) Talking Bird from the forthcoming Narrow Stairs
5) The New Year from Transatlanticism
6) Why You’d Want To Live Here from The Photo Album

Speaking of old Death Cab, here’s a YouTube of Title and Registration (off of Transatlanticism … I never did get in to Plans …), which is cribbed from the DCFC documentary Drive Well, Sleep Carefully. The multi-venue concert DVD is aptly named because I think of Ben Gibbard’s music as driving to the mountains music, particularly The Postal Service.

April 29, 2008

The National, Radiohead, and Neil Young and Crazy Horse

This post is nothing more (or less) than a hub to some free mp3 downloads of fantastic live performances.

The National - Black Sessions

The National - White Sessions

Radiohead - Live at the BBC (April 1)

Neil Young and Crazy Horse - San Francisco 1978

April 28, 2008

Bob Mould

Well, I’m nearly three months behind on the Bob Mould album District Line, but the cover art made me listen to his MySpace, and now I’m hooked.

The cover of the album gives me the warm fuzzies because it’s shorthand for the D.C. metro’s Green and Yellow lines, which will take you to The Black Cat or The 9:30 Club for concerts or The Wonderland Ballroom for drinks in Columbia Heights. A metro that’s very difficult to catch after a mid-week late night …

Of course this is all secondary to Bob Mould’s incredible career, fronting Hüsker Dü, releasing the solo album Workbook in 1989, and then fronting Sugar.

April 27, 2008

Zombie Strippers

Zombie Strippers, out in some theaters now, is certainly in the running for cult favorite of the year. Watch the trailer.

It features Jenna Jameson. Sure, her plastic surgery got her where she is in the porno biz, and too much of it has resulted in her career jumping the shark, but this film looks tremendous despite/because of these things …

It’s set in Sartre, Nebraska. Pronounced sahr-treeeeee. Excellent

Is it one of the last true grindhouse films?

Okay, why is this in a music blog? Dunno, really. The soundtrack has some appropriate songs from Roxy Saint. But it’s this quote from a NYTimes review that made me think to blog about the movie:

“Though not nearly as clever as it aims to be, the film at least tries. In addition to drawing inspiration from Eugène Ionesco’s ever-relevant absurdist play “Rhinoceros,” it’s full of jabs at the Bush administration and philosophy references — for starters, Jenna Jameson, as the first stripper to succumb to zombification, reads and quotes Nietzsche.”

That bit made me think of a non-soundtrack tune: Nietzsche, by The Dandy Warhols (download mp3). It’s off of Thirteen Tales from Urban Bohemia, my favorite disc of theirs, and was in the soundtrack for the film Antitrust.

April 26, 2008

No Age

No Age sounds like Tripping Daisy reincarnated (cf. the TD songs Human Contact, Field Day Jitters, or Rain Drop). If you’re wondering how I feel about that, read this post.

The sound is more muddled for this L.A. band than with Tripping Daisy, but it makes me do a double take at the artist/title on iTunes every time. And I’d be muddled too, if I were a reincarnation : )

Download two tracks Eraser and Neck Escaper free and easy off of RCRD LBL (the band gets paid) that appear on their album Nouns (buy it) coming out May 6.

Their old disc (a compilation of songs from their many LPs), Weirdo Rippers, got lots of praise.

April 25, 2008

Commercials’ Music

I like the song I heard for the Nike Sparq Training commercial. It’s Saul Williams’ List of Demands.

I also like the song in the parkour/soccer FIFA Street 3 commercial that VSL turned me onto. The track, La Pelota, feat. Alejandro Londono, is made by some ad agency music production company (Massive Music).

The two are similar. Not worth buying a disc, but worth a listen or a download.

Viral commercials launched both José González (Sony Bravia ad) and Hem (Liberty Mutual ad) for me, so don’t knock it. I don’t even want to get in to the iPod star-maker ads (’cause other people already have, ad nauseum).

Oh, and file the Meat Loaf/Tiffany pairing in this GoPhone commercial under random. I get a kick out of it, actually.

April 24, 2008

Splice

These two songs are like cars from different subbrands built on the same chassis. I really enjoy them both, but back-to-back I’m a little annoyed the hooks are so very similar. I checked The Breaks, and there is no common sample noted there … ideas?

Kids with Guns - Gorillaz - Demon Days (2005)

Dig, Lazarus, Dig!!! - Nick Cave and the Bad Seeds - Dig, Lazarus, Dig (2008)

And then the Nick Cave sounds a lot like The PixiesCactus from Surfer Rosa (2003)…

… which The Swell Season (download mp3) and David Bowie (watch) both cover live.

April 23, 2008

Body of War Soundtrack: Eddie Vedder, et al.

You can watch the video for the Eddie Vedder original song “No More” that is featured in the soundtrack Body of War: Songs That Inspired an Iraq War Veteran. The film itself is in some art house theaters now, and more to come.

Eddie talks about his reasons for becoming involved in the project here. Man, his solo stuff is excellent. But he’s just one of many artists; see the track list below.

Buy (and listen to clips from) the double album. It’s thematic, not musically cohesive. But that’s not an insurmountable hurdle and is to be expected from an anti-war album. In related news, check these 70 free downloadable protest songs.

The cover art for the album is by the once-again-newsworthy (for his sold-out trilogy of Obama posters: Progress, Hope, and Change) Obey/Andre the Giant artist Shepard Fairey.

Disc one:

1 Brendan James - Hero’s Song
2 Lupe Fiasco -American Terrorist
3 Michael Franti & Spearhead - Light Up Ya Lighter
4 Rage Against the Machine - Guerilla Radio
5 Public Enemy - Son of a Bush
6 Serj Tankian - Empty Walls
7 Bad Religion - Let Them Eat War
8 Against Me! - White People for Peace
9 Bouncing Souls - Letter From Iraq
10 Dilated Peoples - War
11 RX Bandits - Overcome (The Recapitulation)
12 No Use for a Name - Fields of Agony
13 Talib Kweli & Cornel West - Bushonomics
14 Immortal Technique - The 4th Branch
15 System of a Down - B.Y.O.B.
16 Eddie Vedder & Ben Harper - No More (live)

Disc two:

1 Bruce Springsteen - Devils & Dust
2 Pearl Jam - Masters of War (live)
3 Bright Eyes - When the President Talks to God
4 John Lennon - Gimme Some Truth
5 Neil Young - The Restless Consumer
6 The Nightwatchman - Battle Hymns
7 Kimya Dawson - Anthrax
8 Blow Up Hollywood - WMD
9 David Ford - State of the Union
10 Tori Amos - Yo George
11 Laura Cantrell - Love Vigilantes
12 Ben Harper - Black Rain
13 Roger Waters - To Kill the Child
14 Tom Waits - Day After Tomorrow

April 22, 2008

Weezer

The new Weezer single, Pork and Beans, is available for download today via your digital point-of-purchase of choice or on their site here.

Amazon lets you play a clip of the song as a tasty preview.

The single is the first glimpse of Weezer’s forthcoming June 17 self-titled album. It may be named Weezer, but according to rumor and geeky message boards, it’s purportedly going to be called the red album. Sweet. Dance with who brung you to the dance, Rivers.

Rick Rubin produced approximately a third of the new album, which is exciting. Rivers Cuomo claims the 2008 release will be “dark and deep and beautiful,” and “definitely more sophisticated and adventurous. You’ll hear very long songs … and non-traditional structures.” I don’t get that vibe from the Pork and Beans clip, but I won’t be dissapointed either way.

Buy Weezer’s discs here.

Did anyone pick up Alone: The Home Recordings of Rivers Cuomo? I got excited about in in January but never spent the money …

April 21, 2008

Chaka Khan, Al Green, Diana Ross & The Supremes, etc.

I totally missed the great Chaka Khan’s double-Grammy disc Funk You (listen/buy). For fun, here are three very different YouTubes of her, a classic song, her on drums, and a jazzy tune.

Muzzle of Bees introduced me to the disc Dirty Laundry: The Soul of Black Country. Review here, tracklist here, and buy it here. We’re talking a great compilation here, including James Brown, Curtis Mayfield, The Pointer Sisters, Bobby Womack, Etta James, etc.

Stop, children, what’s that sound … everybody look at this delicate but soulful cover of Buffalo Springfield’s For What It’s Worth covered by Sergio Mendes & Brazil ‘66, which you can download at Aquarium Drunkard. Buy the disc.

Aquarium Drunkard also alerts us to the amazing double disc of Diana Ross and The Supremes rarities, available here. Find their cover of Stevie Wonder’s Uptight for download here. Also, you can stream Diana Ross’ recent album of just covers, I Love You, in its entirety here.

In late May, Al Green comes out with a new disc Lay It Down that is evidently star-studded, as if Al weren’t enough. Preview a track at Soul Sides; it’s Al with Anthony Hamilton (my review of him) performing You Got the Love I Need Babe. You can also stream Al Green’s remastered greatest hits album here.

By the way, if you get a chance to see Al Green live, pay the money and sit in the front. It’s a life highlight. Check the tour dates, such as his shows co-headlining with Gladys Knight!

To bring this post full circle to yesterday’s, the Estelle/Kanye song American Boy contains the lyric “The Pips at they Gladys.” Fun!

April 20, 2008

Estelle

I’ve felt deluged by BritSortaSoul lately (Duffy, Adele, Amy, etc.), so I wrote the Estelle hype off without listening. Estelle herself has been bewildered by the fact that white girls in this BritSortaSoul craze have dominated “the sounds of blackness.” But if Soul Sides says she’s the real deal, then I’ll try her out.

Soul Sides hosts the mp3 for the song Come Over (download), but I like neither the echo effect on her voice nor the wind chimes in that tune. And let’s be clear: she’s hip hop, not soul.

I do like, however, her older Lauren Hill-like songs such as 1980. And I like this song No Substitute Lover off the new album, but I feel George Michael (who is inexplicably back on tour) should get some credit for the lyrics from Faith

You can listen to Estelle on her MySpace or watch the video of American Boy, her and Kanye West’s superhit. Her album Shine comes out in the states the end of the month (preorder/buy). In addition to Kanye, there are also tracks with Will.I.Am, Wyclef Jean, Cee-lo, and John Legend.

Of course, now there will be even more copycats. But luckily, we can still listen to real soul, funk, and R&B. Check in tomorrow for some old-school magnificence.

April 19, 2008

The Republic Tigers

The Republic Tigers don’t need any help to get noticed. They’re going to be hot, but — bonus — they’re good to boot.

These college kids have the full flex of Alexandra Patsavas behind them. I remember being excited a long time ago that she was going to be in charge of a label (Chop Shop, a subsidiary of Atlantic), and this is (finally) her first project. It’s sure to launch, Kennedy Space Center style, particularly after they play David Letterman in a month and then start touring with Nada Surf, an excellent pairing.

Buildings and Mountains, featuring excellent backing vocals, is their first single. If you download it at RCRD LBL, then the band gets paid even though the mp3 is free via the miracle of advertising. It’s at the bottom of that interview with Patsavas. What’s the song like? Well … maybe the mellow bits of Modest Mouse?

The video for that track is quite nice, as well. Very simple, but mesmerizing. This Kansas City, MO, band has the potential to flesh out an exciting range of emotions in their 2008 release Keep Color. I’m looking forward to seeing more.

May 2 - Tribeca Film Festival - Webster Hall - New York
May 12 - KCRW “Morning Becomes Eclectic” - Los Angeles
May 13 - Spaceland - Los Angeles
May 22 - David Letterman - New York
June 1 - The Social w/ Nada Surf - Orlando
June 2 - Studio A w/ Nada Surf - Miami
June 3 - State Theatre w/ Nada Surf - St. Petersburg, FL
June 5 - Mercy Lounge w/ Nada Surf - Nashville
June 6 - tba w/ Nada Surf - Memphis
June 7 - Bluebird w/ Nada Surf - St. Louis
June 9 - The Music Mill w/ Nada Surf - Indianapolis
June 10 - The Basement w/ Nada Surf - Columbus
June 11 - Beachland Ballroom & Tavern w/ Nada Surf - Cleveland

April 18, 2008

The New Pornographers and Okkervil River — Write Your Own Review

The New Pornographers (with Neko Case) and Okkervil River performed Thursday, April 17, at the Georgia Theater. Gigs on this tour have been reviewed by music bloggers before (Chromewaves, ChartAttack, The Wheel’s Still In Spin). Now it’s your turn.

WRITE YOUR OWN REVIEW!

Instead of reviewing the show, I am asking my fellow concert-goers to post their own reviews and reactions in the comments section of this post. So bring it on, folks! Enthuse, critique, swoon, and/or squabble at will!

For those of you who don’t know, the beautiful cauldron of musical ferment that is Athens, Georgia, spawned R.E.M., The B-52s, Pylon, Widespread Panic, Neutral Milk Hotel, Indigo Girls, Drive-By Truckers, Danger Mouse, etc.

Watch a ten-minute taste of the 1987 documentary Athens, GA: Inside/Out about the camaraderie of the artists active in this mid-80s in this college town. And if you really want to geek on the Athens music scene, take a musical history tour.

April 17, 2008

Record Store Day

Record Store Day is Saturday!!!

http://www.recordstoreday.com/

Find your local brick-and-mortar purveyor of shiny silver (and sometimes hefty black) discs-o-music in this list to determine if there is any performing, DJing, or autographing going on near you.

Examples include a Metallica meet-and-greet at Berkeley’s Rasputin Music, Collections Of Colonies Of Bees performing with many other acts at Milwaulkee’s Atomic Records, The Donnas DJing at Hollywood’s famed Amoeba Records, The New Pornographers performing among others at St. Louis’ Vintage Vinyl, and Black Rebel Motorcycle Club performing among others at CD Central in Lexington, KY.

EVERYONE within range of an independent record store can enjoy goodie bags and give-aways.

And besides the discs you’ve been procrastinating buying, you can purchase a Record-Store-Day exclusive 7″ (two songs) from Vampire Weekend and a 10″ (three songs) from Stephen Malkmus. Oh, and in case you’re not excited yet, 7″es from Built to Spill, R.E.M., Death Cab for Cutie, and The Black Keys. Good grief! Find track listings here and here, respectively.

April 16, 2008

Website Hits Are Shoddy Data, Now More Than Ever

Knowledge of how easily statistics can be manipulated is no longer, in this information age, just the purview of researchers. Consumers, too, are probably aware that “four out of five dentists agree” is somehow orchestrated by an eager young PR practitioner.

But the folks with a truly deep sense of the unreliablity of all statistics, particularly in cyberspace, are the techies. Not only can data be tamed for any purpose, but there are also bots, crawlers, spamming mechanisms, etc. that can impact the most basic metrics such as hits and friends, by which web popularity is judged.

Website hits are thought to be governed by two factors acting separately, consecutively, and/or concurrently. First, the rich get richer (e.g., googlearchy, cumulative advantage). Second, popularity is incredibly volatile (e.g., a single post/song/video goes viral, a blog’s obscure niche suddenly becomes a current event, search engines are actually weirdly egalitarian).

Hits are simple and accessible measures of value, but they of course can be corrupted via concentrated campaigns. These range from the benign, such as gratuitously plugging your band, trolling for friends in social networking sites, or even rickrolling, to the well-funded, strategic, and aggressive, as in stealth marketing and astroturfing. Those techniques play the angles to generate artificial web popularity. But they’re generally given a pass because us Americans appreciate hustle, even if it’s corporate.

Inflationary hit count techniques have recently come to light that seem even more insidious, somehow beyond just hustling the system:

> Ticketmaster may have generated imaginary Facebook friends, through some clever use of ones and zeros.

> MySpace artists (and probably their labels), are using software (PaceSys Traffic Master and ToonBoom Pro) to jack up the number of plays so bands and songs appear to be more popular, too.

My guess is this is the tip of the iceberg. (Thanks, Eliot Van Buskirk at Wired ListeningPost, for the excellent reporting.)

Such technology-manipulating methods don’t have a Horatio Alger ring to them because they leverage wealth to purposefully skew the full information and transparency upon which free market decisions are made. I know information is never full or fully transparent, but it is an assumption that drives free market economies and underlies the decisions of actors in cyberspace. And for those who operate with that assumption, the revelation that it is false can be economically and (by extension) personally upsetting.

I contemplated whether or not I thought the pay-per-hit inflation might someday turn basic measures of web popularity into meaningless dross. But I don’t think so

1) because we’re embedded in a market/society/culture that equates success with dominance and obscures real inequality with the delusional rallying cry of meritocracy,

2) because this context I describe has developed out of a basic human penchant for hierarchy/ranking, and

3) because simple counts of visits and friends (very quaint sounding!), despite being shoddy data, are the only information the public has with which to do this business of deciding who wins.

April 15, 2008

Wolf Parade

Stereogum magnanamously posted a downloadable track from Wolf Parade’s long-awaited album (maybe called Kissing the Beehive) due out this June.

The song is Call it a Ritual, and it bodes well for the forthcoming disc. I have to ask, though, does it make anyone else hum Justin Timberlake’s Cry Me A River (watch, and wait for the chorus to compare) for the rest of the day? The chords trigger me, and I’m not too happy about it because I don’t even know how I know what any JT song sounds like …

Wolf Parade’s 2005 Apologies to the Queen Mary (buy it right now!) blew my mind and was on constant loop all last summer. I’ll Believe in Anything (incongruous music video here, well-edited live video here) hammers on the tuning fork of my soul. Yeah, that intense. So I’m geared up for another Wolf Parade summer.

To fuel the fire, you can download previously unheard live Wolf Parade songs. These good-sound-quality mp3s from their concerts give us a decent picture of the new album’s awesomeness.

April 14, 2008

The Raconteurs and The Black Lips

Again with The Raconteurs’ tour schedule. I know. Sorry. But these additions are a big deal because the second half of the new and improved summer schedule pairs them with The Black Lips.

The show’s gonna feel like a Tarrantino soundtrack come to life. What, you say? Well, The Raconteurs are sure to pull out some badass covers. And just listen to this BL track Cold Hands. Now that you’re hooked, despite yourself (and despite my terrible sell) download more mp3s or a whole concert full of live mp3s from a January Black Lips show.

I think this would be a great gig at which to place proper focus on the pre-party … because you can’t hold a beverage and rock to this music, but the show would be much more rockable loose. Just one man’s opinion.

Buy both bands’ discs: The Raconteurs and The Black Lips.

April 20 - Vancouver, BC - Commodore Ballroom
April 21 - Seattle, WA - Neumo’s
April 22 - Portland, OR - Wonder Ballroom
April 23 - San Francisco, CA - Bimbo’s 365 Club
April 25 - Indio, CA - Coachella
April 26 - Las Vegas, NV - The Joint
April 28 - Denver, CO - The Fillmore Auditorium
April 29 - Kansas City, MO - Uptown Theatre
May 1 - Dallas, TX - House of Blues
May 2 - Austin, TX - Stubb’s BBQ
May 3 - Austin, TX - Stubb’s BBQ
May 4 - New Orleans, LA - New Orleans Jazz and Heritage Festival
May 27 - Washington, DC - 9:30 Club with The Black Lips
May 28 - Washington, DC - 9:30 Club with The Black Lips
May 30 - New York, NY - Terminal 5 with The Black Lips
June 3 - Boston, MA - Bank of America Pavilion with The Black Lips
June 04 - Montreal, Quebec - Metropolis with The Black Lips
June 05 - Toronto, Ontario - Ricoh Coliseum with The Black Lips
June 07 - Detroit, MI - The Fillmore with The Black Lips
June 09 - Columbus, OH - LC Amphitheater with The Black Lips
June 10 - Cincinnati, OH - National City Pavilion with The Black Lips
June 12 - St. Louis, MO - Pageant with The Fiery Furnaces!
June 13 - Manchester, TN - Bonnaroo

April 13, 2008

James

Last week James came out with a new album– their first since 2001. It’s called Hey Ma, and you can buy it or, while waiting for the cheaper U.S. release, stream bits of each song here. Be sure to check out the song Whiteboy, which is a mix of every British act I can think of, or maybe just the bands they thoughtfully listed on their MySpace (as opposed to oh so many bands on MySpace who use that answer in which to jack around).

The Modern Music offers you the title track mp3 for download.

It’s well established that James’ music sort of has to grow on you. But the new disc has a fuller, yet cleaner sound than the previous albums. They built their own studio, and their mastery over the recording quality really shows. Plus, there is judicious but joyful use of horns, which are sort of a nice foil to Tim Booth’s voice.

For a blast from the past, watch these YouTubes of their most famous song Laid, of Sit Down, and of Getting Away With It. Actually, to avoid the cringe-making fashion, just push play and then interweb elsewhere.

And if you’re across the pond (they’re of course not touring the U.S.), check here for tour dates and some info on getting a code with which to buy tickets early.

April 12, 2008

Twenty Great Music Blogs: A Review

These 20 indie music blogs serve as the arbiters of taste for many, including Stella Splice. When I started looking for mp3s that would turn me on to new bands, I found Technorati, The Hype Machine, and even just a blogroll to be overwhelming. I wish I had discovered a catalog like this right off the bat to help guide me.

The blogs are not ranked because each serves a purpose, each in its own special way. I don’t review blogs I don’t read, so, as before, the disclaimer that such lists are necessarily, perpetually, horrendously incomplete applies. Make things right in the comments section!

A peremptory n.b., however: Soul Sides is an incredible blog. It doesn’t fit on this list, but damn.

-

HearYa is one of my favorite music blogs in part because of the tasty alt-country lean within its indie-ness. Its recommendations are spot-on, and you can’t ask for more than that. Their live sessions introduce me to bands I wish I’d always known about, and they are a true service to the artists and the music community. (Also, their logo is tremendously cool.)

Muzzle of Bees is a killer site. The writing is personable, and the music always rocks. It loyally serves its region with news, dates, and even show promotion. But I find it relevant to me no matter my state—physical or mental. There’s always an album or concert review that makes me perk up my ears, and the mp3s flesh everything out and send me running to the record store.

My Old Kentucky Blog offers cutting-edge recommends and writing that reminds you it’s a fellow music fan behind the keyboard. Let Dodge be one of your taste-makers. And don’t miss the fantastic MOKB studio sessions, which, again, are a service to us all, as are the great interviews.

Gorilla vs Bear is Dallas-based, and like some other lovely Dallas projects, the world is better for it. It’s always breaking new ground, but its choices are judicious. It balances shows, new finds, local, and national deftly because the blog’s genuinely just about good music.

Chromewaves is a great mix of check-this-out posts and LHB’s shorties, all in one. You’ll be reading about some new band, downloading a teaser track or two, opening a MySpace page and a YouTube clip, and then–bonus–there’s some cool news-ey links at the bottom of the post, rounding it off like buttercream icing. Each day, like a present in my rss feed, Toronto’s Chromewaves gives me a little bit of everything I want from a music blog.

Largehearted Boy is the great aggregater that doesn’t flood you with miscellany. Rather, he lets you chose from his lists and torrents and mp3s in big posts without a lot of extra flotsam and jetsam. You are the decider. LHB’s Shorties are an invaluable map for my travels of the interwebs.

i guess i’m floating is taking over for Stereogum in importance in my world. It gives me the news I want, without making me feel like I have to shovel through a mound of muck to get to the good stuff. It’s basic and necessary, like your best pair of old Chuck Taylors. Dig it.

You Ain’t No Picasso is the absolute ideal type for indie music blogs. Relevant mp3s, videos, and breaking news make it one of the indispensable cool kids. The posts are to-the-point, yet comprehensive. No rss feed should be without it.

Aquarium Drunkard sports a new site design that is gorgeous and blissfully readable. The writing is high-end and worth close attention. He’s not so indie geeked out that he won’t run a Steely Dan post when he wants to. The weekly podcast is cool, as is the fact that the blog has spun off a label.

Deaf Indie Elephants is a must-read. There are great mp3s to be had here, often rare or bootleg rips. This Venezuelan is always popping up with cool stuff. Not much prose on the blog, so it’s an easy grab-and-go site to frequent.

*Sixeyes offers eclectic posts and some nice mp3 downloads. But it’s the mixes that really keep me hooked: great songs from great bands. That’s why I got into this blog thing in the first place.

Stereogum. Oh, Stereogum. Love ya. But why do I feel after this latest upgrade that you’ve become (Pitchfork-like) passé: oh-so-useful but on your way out? Maybe its the discontent that bubbles up in the comments, by readers who are starting to feel disconnected from your noble yet bloated enterprise. Regardless, your importance is undeniable. The ‘Gum Drop is crucial, you’ve got complete coverage of the scene, your posts are full of both interesting and trivial detail, and enough bands come across your desk you can usually inform without enthusing.

Berkeley Place is a Brooklyn-based, but not Brooklyn-centric blog. The topics and the writing are defiantly independent. The covers unearthed here are priceless, often within the A-to-Z posts, which are a total romp.

Said the Gramophone doesn’t care if you don’t take the time to fall in love with their style, because they know it’s worth it once you do. Take the time if you’ve decided to geek hard on the indie music scene. This blog will lead you around by the hand to songs you never thought you’d chance to meet.

Brooklyn Vegan put up 24 posts on April 10, which is just too much. I don’t need to know everything, I just need to know what’s good. (Of course, to any criticism, BV would probably say this.) But I’m not a hater; I read and dig the site like everybody else. They do great original reporting. And if I lived in their neck of the woods, this site would be all I need for media input in the whole world. Wouldn’t that be lover-ley.

Culturespill: Some of the most luxurious writing in any audioblog. Period.

The World Forgot: Super solid, with major kudos for the Best of the Month posts.

The Modern Music: Crazed-fun writing and broader tastes than your average indie audioblogger.

Motel de Moka: Incredible daily themed mixes of a jaw-dropping array of downloadable mp3s.

Beat Lawrence: Someday this site will break wide open. Be ready.

April 11, 2008

Megafaun

I once lamented missing out on Megafuan’s tour … but we have all been granted a second chance to see them gig at a variety of very, very small venues. Like, holy crap I didn’t even know that bakery considered itself a venue sort of small. This is an incredible opportunity. They’re a great new band.

April 12 - Broad St Cafe (Burly Time Record Release Party II) - Durham, NC
April 23 - Local 506 - Chapel Hill, NC
April 24 - TBA W/ Great White Jenkins - Richmond, VA
April 25 - Barnard College - New York City
April 26 - IOTA w/ Old Ceremony - Arlington, VA
April 27 - Pilam (Day Show) - Philadelphia, PA
April 28 - The Space - Hamdon, CN
April 29 - Union Pool w/Greg Davis - Brooklyn, NY
April 30 - Knitting Factory w/ David Grubbs and Greg Davis - New York City
May 1 - Lily Pad w/ Keith Fullerton Whitman and Greg Davis - Boston, MA
May 2 - Monkey House w/ Greg Davis - Winooski, VT
May 3 - Cafe Latino w/ Greg Davis and Missi St. Pierre - North Adams, MA
May 4 - Garfield Artworks w/Paleface - Pittsburgh, PA
May 5 - Rumba Cafe - Columbus, OH
May 7 - Bears Place - Bloomington, IN
May 8 - Lemp Art Center - St. Louis, MO
May 9- TBA w/ Jon Mueller - Milwaukee, WI
May 11 - Hideout w/ Jon Mueller and Jim Becker - Chicago, IL
May 12 - Project Lodge - Madison, WI
May 13 - Nucleus - Eau Claire, WI
May 14 - Kitty Cat Klub w/ The Pines Minneapolis, MN
May 15 - Beaners - Duluth, MN
May 16 - Vaudeville Mews w/ the Pines - Des Moines, IA
May 17 - Gaslight - Lawerance, KS
May 18 - Edesia’s - Manhattan, KS
May 20 - Harvest Records - Asheville, NC
May 23 - Williamsport Art Center - Williamsport, PA

Buy the six tracks on their EP Bury the Square. You can download two of them, Find Your Mark and (banjo-rific) Lazy Suicide, from either Stereogum or Aquarium Drunkard.

April 10, 2008

Man Man, DeVotchKa, etc.

There are a variety of ways to hear the new releases of the week. Largehearted Boy and Muzzle of Bees have compiled lists, as always, that are link-full.

And you can listen for a limited time to the stream of the new albums from The Breeders, Man Man, State Bird, Nick Cave & The Bad Seeds, DeVotchKa, Gnarls Barkley, Someone Still Loves You Boris Yeltsin, and Tapes N Tapes, among others, at AOL Spinner’s Full Listening Party here (I know, I know, it has that Time-Warner ick, but whatchya gonna do…).

If you’d rather have a guide than browse on your own, listen here to an excellent installment of NPR’s All Songs Considered that offers streamable tracks as well as a bit of commentary regarding the following artists and songs: The Raconteurs (Many Shades of Black), Man Man (Ballad of Butter Beans), Colin Meloy (Wonder) (frontman for The Decemberists), and DeVotchKa (New World).

April 9, 2008

The Pixies: loudQUIETloud

It’s cool to shun Pitchfork (and perhaps, too, to defend it against the backlash). It clearly jumped the shark a long time ago, just as Sterogum may have with its most recent upgrade. These conduits of indie info have become more rationalized and less ragamuffin. In the tiny subculture of indie music geekdom that Stella Splice inhabits, identifying what is no longer cool is just as important as identifying what will soon be cool. [Related aside: I really want this t-shirt that says, "I Listen To Bands That Don’t Even Exist Yet."]

However, Pitchfork.tv is a new branch of Pitchfork that’s useful and cool.

For instance, right now, but only until Monday April 14, they’re offering a stream of The Pixies 2004 reunion tour documentary loudQUIETloud (buy it for cheap). If you missed the stream, you can watch the trailer here. The setlist/soundtrack includes full or partials of the songs Where is My Mind?, Hey, Here Comes Your Man, UMass, Caribou, Gouge Away, Nimrod’s Son, In Heaven, Wave of Mutilation, Something Against You, Bone Machine, Cactus, Vamos, and Monkey Gone to Heaven. The score is done by Daniel Lanois.

I saw a show on the reunion tour. It was everything I’d hoped it could be. Kim couldn’t quit smiling. And the coolest moment was when they ended the show. Instead of ducking backstage to wait an appropriate amount of time for us to demand an encore, they came to the front of the stage and waved heartily and said sincere thank-yous. After a short while, when the audience felt it had shown its thanks for the chance to see The Pixies again, and when the band had thanked us for success in absentia and the chance to make a little money again, they played their encore.

Pitchfork.tv features a bunch of great quality music videos of allstar artists (this means less riffling through the YouTube detritus).

There are non-music-video offerings, as well from Pitchfork.tv, including this badass stuff:

Exclusive Radiohead performance of Bangers & Mash (btw, Radiohead has released additional tour dates)

Some Man Man madness surrounding the making of his album Rabbit Habits

April 7, 2008

The Breeders

How do we love thee, Kim Deal! Let us count the bass lines. The Breeders‘ (Kim and Kelley’s) new album Mountain Battles comes out tomorrow. It’s the best sort of rocker girl jukebox music, and lord knows jukeboxes the world over could use a bit more of that. There are too many girlies and not enough Deals out there. Stream the whole album!

The new disc was produced by Steve Albini using no digital whatnot whatsoever (except on the title track, “which pains me so hard,” says Kim). Read about this recent manifestation of his “All Wave” push here: “This should not be construed as a call to arms, but could become at least as significant as the Ska revival or perhaps the WNBA,” and his 1993 treatise The Problem with Music here.

It’s been six years since the twin sisters’ last album, and can you believe Last Splash was 1993?! For old times’ sake … Check, check; ahh-oooooooo-ah, ahh-oooooooo-ah … watch them play Cannonball on The Jon Stewart Show back when they were touring with Nirvana on its tour for (Albini-produced) In Utero. That performance, that song, those voices … if I would have seen that I would have made some sweeping statement about these being rockers, not women doing rock music, which would necessarily relegate them to the margins … well, read what Kurt Cobain said about The Breeders (and The Pixies, for whom Kim was the bassist).

Back to the new disc. You can watch them screw around on a YouTube video while you listen to the very agreeable song Overglazed and the crystal-clear We’re Gonna Rise. Or download the mp3s of the infectious Bang On and Night of Joy.

Now buy the thing and go see ‘em live.

Apr 25 - Coachella - Indio, CA
Apr 28 - Canes - San Diego, CA
Apr 29 - El Rey Theatre - Los Angeles, CA
Apr 30 - Slims - San Francisco, CA
May 2 - House of Blues - Las Vegas, NV
May 3 - Clubhouse - Tempe, AZ
May 5 - Emos - Austin, TX
May 6 - House of Blues - Dallas, TX
May 7 - Meridian - Houston, TX
May 9 - Bottleneck - Laurence, KS
May 10 - Pops - St. Louis, MO
May 23 - Richards - Vancouver, BC
May 24 - The Gorge - George, WA
May 25 - Berbattis Pan - Portland, OR
May 27 - The Depot - Salt Lake City, UT
May 28 - Ogden - Denver, CO
May 30 - First Avenue - Minneapolis, MN
May 31 - Metropolitan University - Chicago, IL
Jun 1 - Magic Stick - Detroit, MI
Jun 3 - House of Blues - Cleveland, OH
Jun 4 - Pearl Street - Northampton, MA
Jun 5 - Paradise - Boston, MA
Jun 7 - Toads Place - New Haven, CT
Jun 8 - Theatre of Living Arts - Philadelphia, PA
Jun 10 - Webster Hall - New York, NY
Jun 11 - 9:30 Club - Washington, DC
Jun 13 - The Loft - Atlanta, GA

I’m interested to hear what the set list is like, especially since Kelley said, “I’ve never felt excited about bands on tour. I never want to hear more than three new songs, just the old stuff. But this time, I’ve told Kim we should just start off with [1993 hit] ‘Cannonball’ and only play the new album from there.”

April 5, 2008

Inappropriate Funeral Songs

Recently a friend told me a funny story about a death in the family. The laughter felt just a tiny bit wrong, but it was exactly right.

AV Club wrote an interesting but silly piece about the top 26 inappropriate songs to play at a funeral, called Don’t Taunt the Reaper. In the spirit of the funny funeral story, I have given this topic some amount of thought. But before we get to my nominees, here’s the best of theirs:

I love #2, Ween’s Push Th’ Little Daisies. That infectious glue-sniffin’ song gets in your head so bad it makes you want to die. And Queen’s Another One Bites the Dust is freakin’ classic, of course, as is the Blue Oyster Cult tune to which the article’s title refers. I’m also on board with I Just Died In Your Arms Tonight, if we’re attempting the truly tasteless. From the comments section, I like the option of Dress Sexy at My Funeral by Smog.

AV Club also listed a Pixies song, Cactus, and an Eels song, Last Stop: This Town, but I decree they’re the wrong songs from those bands.

My top choice is the Eels‘ It’s a Motherfucker (Being Here Without You). The rest of the lyrics aren’t particularly compelling, but that line and the sound of the song (listen to part of it here) make perfect wake music. Maybe too perfect for the AV Club’s list of inappropriate songs, actually. [To be filed under random awesome quote, E says, "I'm not trying to fuck anyone's mother here. Let's just establish that right now."]

I also nominate Nerf Herder’s warning to all who consider suicide, 5000 Ways to Die. Lyrics:

“And the bastard you hated the most / Will stand up and give you a toast / He’ll say We were such good friends especially near the end / Then he’ll feel up your girlfriend in front of your ghost.”

The Pixies are an obvious choice. Dead, In Heaven, Wave of Mutilation, Into the White, Monkey Gone to Heaven, Ed is Dead … and there are many that don’t quite make the list like I Bleed or There Goes My Gun … but I have to go with Ed is Dead for the lyrics and mood, combining to be an inappropriate yet apt funeral song. The problem is that any Pixies song (see Dead) that’s about death could just as much be about sex. Or maybe that’s not a problem at all. The Pixies are good like that.

And last but not least, Modest Mouse. They sing about death quite often, with a proper fierceness, insisting that we remember “we are our own damn coffins.” That line is from Satin in a Coffin. Great titles, but not really great lyrics for a funeral, include Bury Me With It or Black Cadillacs. But perhaps the greatest MM song for this project is Parting of the Sensory. Check the lyrics: “Dehydrate back into minerals” and “Some day you will die and Somehow something’s gonna steal your carbon.” And when you listen to the song, wait for the end when it’s swirling you down the drain in manic round after round of intensity.

What are your suggestions? I’m excited to improve this list!

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